Modern Patchwork içinde Winter 2016 için içindekiler tablosu

getting started For the projects in this issue (unless otherwise indicated): When piecing, use ." seam allowances. Stitch with the fabric right sides together. After stitching a seam, press to set the seam and then open the fabrics and press the seam allowance toward the darker fabric. Yardages are based upon 40"–wide fabric. Refer to “Sewing Basics” on page 114 for instruction and guidance on many basic sewing terms, techniques, and tools. As I work in my office typing this note, it seems hard to believe that winter is right around the corner. This morning the radio announcer chimed “temperatures should be in the high 60s” and I left the house without a jacket. Not bad for early November in New England. But I’m ready for the change of seasons…

MATERIALS Finished quilt 61" × 55" Fabric for the quilt top (I used Kona Cotton. by Robert Kaufman Fabrics.) — Light teal, . yd. (Azure) — Pale lime, . yd. (Zucchini) — Gray, 1 yd. (Graphite) — Rich peach, . yd. (Melon) — Pale pink, . yd. (Primrose) — Pale mint, . yd. (Ice Frappe) — Yellow, . yd. (Banana) — Pale blue, . yd. (Cloud) — White, 2 yd. (White) ■ Templates A & B, provided on insert ■ Template material ■ Backing, 3. yd. ■ Batting, 56" × 61" ■ Binding, pieced from the quilt top fabric cutting chart DIRECTIONS All seams are ¼ ". See “Sewing Basics" for more information. ASSEMBLE THE QUILT 1. Trace templates A and B onto template material. Cut out and label the…

MATERIALS Finished quilt 36" × 40" ■ Fabric for the quilt top — Background, soft gray solids, 2 yds. total (I used a variety of gray fabrics for interest.) — Flying Geese, 6 fat quarters (11" × 18") (I used 5 prints from the Indelible Collection from Art Gallery Fabrics plus one coordinating solid.) ■ Backing fabric, 1. yds. ■ Batting, 40" × 44" ■ Binding, 3∕8 yd. OPTIONAL ■ Quilt in a Day. Large Flying Geese Ruler by Eleanor Burns cutting chart DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric PREPARE THE BLOCKS 1. Use the cutting chart to cut the pieces. Label the pieces. 2. Draw a diagonal line on the wrong side of each 4. " × 4.…

MATERIALS Block size 12" × 12" Finished quilt 60" × 84" ■ Fabric for the quilt top (I used Kona. cotton from Robert Kaufman.) — White, 3 yds. — Champagne, 1. yds. — Ash, 1. yds. — Slate, . yds. — Medium grey, . yds. ■ Backing, 5 yds. ■ Batting, 90" × 66" ■ Binding, 5∕8" yds. cutting chart DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric CUT THE FABRIC 1. Use the cutting chart to cut the pieces. Label the pieces. MAKE HALF-SQUARE TRIANGLES (HSTS) 1. Draw diagonal lines from the upper left to lower right and from the upper right to lower left on 1 side of each of the white squares. 2. Pair a champagne square with…

MATERIALS Finished quilt 81" × 81" ■ Fabric* for quilt top, backing, and binding (I used Essex Linen and Kona. Cotton by Robert Kaufman Fabrics.) ■ Essex Linen — Dark gray, 21⁄8 yds. (Black) — Medium gray, 35⁄8 yds. (Steel) ■ Kona Cotton — Off-white, 1. yds. (White) — Coral, 1 yd. (Coral) — Salmon,. yd. (Salmon) — Pale mint 2. yds. (Ice Frappe) — Aqua, 3. yds. (Sage) * Fabric requirements assume 42" of usable width. ■ Batting, 86" × 86" cutting chart DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric CUT THE FABRIC 1. Use the cutting chart to cut the pieces. Label the pieces. MAKE THE STRIPS 1. Referring to Strip Set Diagrams (figure 1), sew the rectangles…

MATERIALS Finished size 8" × 13" (closed) ■ Fabric (I used fabrics from the Modern Backgrounds Ink and For You collections by Brigitte Heitland of Zen Chic for Moda.) — Interior, low-volume print, 1. yds. — Exterior, an assortment of scraps in blue, green, and a textured medium grey, 1 yd. total. ■ Closing ties, 1. " × 40" ■ Cotton batting, 30" × 15" ■ Zipper, 8" ■ Fabric-safe marker cutting chart DIRECTIONS All seams are ¼ ", unless noted. See “Sewing Basics” for more information. ASSEMBLE THE INTERIOR PANELS 1. Use the cutting chart to cut the pieces. Label the pieces. 2. Fold pockets C and D in half crosswise. Press and edgestitch the fold to form the upper edge. Referring to the Assembly Diagram, layer C and…

MATERIALS Finished quilt 42" × 60" ■ Fabric for the quilt top Select low-volume prints for both background fabrics. — Background A, black-on-white print, 33∕8 yd. (includes binding) — Background B, gray-on-white print, 25∕8 yd. — Diamonds, contrast prints, 1∕8 yd. each of coral, orange, deep bright olive, light bright olive, yellow, gold, plum, deep plum, deep aqua and multicolor print; . yd. of aqua — Stars, teal, 5∕8 yd. ■ Diamond template, provided on insert ■ Template material ■ Star paper-piecing patterns, provided on insert or downloadable from quiltingdaily.com ■ Backing 1. yd. ■ Batting 46" × 66" cutting chart DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric Press seams open whenever possible. CUT THE FABRIC 1. Use the cutting…

MATERIALS Finished pillow 20" × 20" Fabric for the pillow top, . yd. each — Navy — Mustard — Dark brown — Cream — Navy dots — Navy swirls — Light brown print ■ Muslin (for lining), 1. yd. ■ Batting, 27" × 45" ■ Backing, . yd. ■ Binding, . yd. (or use the remainder of the pillow top fabric) ■ Templates A & B, provided on insert ■ Template material cutting chart DIRECTIONS All seams are ¼ ". See "Sewing Basics” for more information. PREPARE THE FABRIC 1. Trace the templates onto template material and cut them out. 2. Use the cutting chart to cut the A and B pieces. Nest the A templates to make the most of the fabric. MAKE THE PILLOW TOP 1. Follow the…

Kait Witte, the Director of Social Media and Partnerships at Michael Miller fabrics, recalls getting a call from designer Violet Craft two weeks before Quilt Market last spring. “She was asking for some of our Cotton Couture solids for an animal abstraction quilt she had in mind,” Witte says. “We already had our booth planned out, but we sent her the fabrics to use.” When the package arrived midweek, Violet’s creativity went into overdrive. The quilt she had in mind was a foundation paperpieced portrait of a lion. She began with the most detailed section—the eyes—but quickly found that the color palette she’d requested was all wrong. “The original palette was multicolored,” she says, “but I realized that what I really needed was for this quilt to be monochrome.” She…

If you’ve never tried paper piecing, you might be wondering what the fuss is about—all that paper, fabric waste, and tearing off the pattern pieces at the end. Why not stick with regular piecing methods? Here’s why. Paper piecing (also called foundation piecing) enables a quilter to quickly and easily sew odd angles, irregular shapes, and sharp points with razor-sharp accuracy that would otherwise take a lot of time to sew—if it would even be possible. With paper piecing, you aren’t locked into measurements that are easily accessed with a ruler, so the sky is the limit for both your quilt design and your accuracy. Paper piecing is a great skill for both novice and experienced quilters to understand. It’s not difficult— if you can sew on a line, you…

PHOTOS BY JOHN CARRICO, ALIAS IMAGING MARY HAUTMAN, ALIAS IMAGING CHRISTINE POLOSKY Thomas Knauer is intense. Ask him a question about quilting and this former professor of art and design is off and running, talking a mile a minute about form, meaning, and the importance of lingering over a quilt’s creation. But beneath that intensity is an appreciation for the most basic aspect of quilting. Knauer sewed his first quilt for his daughter Matilda and her response delighted him. “She wrapped herself in it and threw herself at me for a hug, and I fell in love with her reaction,” he says. “Quilts have a resonance that doesn’t exist in art that hangs on the wall.” That sentiment is based in Knauer’s knowledge of art and design, thanks to studies…

MATERIALS Finished size 18½ " × 13" ■ Fabric — Main: body, strap, lining, pocket linings, 1. yds. — Contrast: outer pocket, strap casing, 3∕8 yd. ■ Woven fusible interfacing, 15" × 3. yds. (I used Pellon. Shape Flex. 101.) ■ Wide-mouth jar lid ■ Fabric-safe marker ■ Zipper, 12" ■ Grommets, 7∕16", 4 grommets plus installation hardware ■ Bodkin (or large safety pin) DIRECTIONS All seams are ½ ", unless noted. See “Sewing Basics” for more information. WOF = width of fabric cutting chart PREPARE THE FABRIC 1. Use the cutting chart to cut the pieces. Label the pieces. 2. Sew the 2 strap pieces together with diagonal seams. Fold and press the strap in half lengthwise, with wrong sides together. Fold each side of the strap toward the…

MATERIALS Finished block 12" × 12" Finished quilt 52" × 52" KIT: CRAFTOFQUILTING.COM ■ Fabric for quilt top (I used Sketchbook by Sharon Holland, Oval Elements, and Pure Elements from Art Gallery Fabrics) — Coordinating prints, 12 fat quarters (18" × 22") — Solids, . yd. each in white, offwhite, peach, and gold solids — Solid, 11∕8 yd. in tan ■ Backing, 3. yds. ■ Batting, 58" × 58" (I used The Warm Company Warm and Natural..) ■ Binding, . yd. ■ Templates A + B, provided on insert ■ Template mat Nesting the Templates Cutting squares and rectangles without having a lot of leftover fabric scraps is a fairly easy thing to do. But what about triangles? With those obtuse, acute, and right angles (high school geometry!) jutting out…

get the kit MATERIALS Finished quilt 52" × 80" KIT: CRAFTOFQUILTING.COM ■ Fabric for quilt top (We used Color Collection for the darker fabrics and Barbados for the lighter fabrics, both by Modern Quilt Studio for Andover Fabrics.) — 10 darker fabrics, . yd. each (or 3 pre-cut strips of 2. " × 42") — 10 lighter fabrics, . yd. each (or 3 pre-cut strips of 2. " × 42") ■ Backing, 3. yds. ■ Batting, 56" × 84" ■ Binding, 5∕8 yd. ■ Fabric-safe marker DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric CUT THE FABRIC 1. From each of the 10 darker fabrics, cut: — 4 A strips, each 18. " × 2. " — 2 B strips, each…

MATERIALS Finished quilt 63½ " × 84½ " ■ Fabric for the quilt top — Treetops, 12 colorful squares, 7. " × 7. " (Use small prints or fabric with some texture. Avoid directional prints.) — Tree trunks, brown, fat eighth (11" × 18") ■ Background, white, 5. yds. (I used a soft white-on-white dot print. Avoid directional prints.) ■ Backing, 5. yds. ■ Batting, 72" × 90" cutting chart ■ Binding, . yd. ■ Extra-fine pins (I use Clover. Extra- Fine Patchwork Pins.) ■ Template, provided on insert ■ Template material OPTIONAL ■ 60° Acrylic triangle ruler DIRECTIONS All seams are ¼ ". See “Sewing Basics" for more information. WOF = width of fabric Assumes 42" of usable fabric after the selvedges have been removed. Always press toward the…

MATERIALS Finished quilt 64" × 78" ■ Fabric for the quilt top — Tree, 16 fat eighths (11" × 18") NOTE: For a scrappier tree, add in some pre-cut squares (5" × 5"). ■ Background, 4. yds. (Not suitable for directional prints.) ■ Backing, 4 yds. ■ Batting, 70" × 84" piece (twin) ■ Binding, 5∕8 yd. DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric CUT THE FABRIC 1. Cut 6 squares, each 4. " × 4. " from each fat eighth (or use pre-cuts), for 96 total squares. 2. From the background fabric, cut: — 2 side panels, each 33"× 52. " — 3 strips, 13. " × WOF for the top and bottom borders NOTE: Keep the leftovers from…

MATERIALS Block size 22" × 22" Finished quilt 48" × 48" ■ Fabric for the quilt top (We used the Artisan Collection by Pat Bravo for Art Gallery Fabrics.) — Fabric A, . yd. (dark blue) — Fabric B, 5∕8 yd. (teal print) — Fabric C, 3∕8 yd. (navy/gold print) — Fabric D, 1∕8 yd. (cream print) — Fabric E, 1∕4 yd. (sienna print) — Fabric F, . yd. (beige) — Fabric G, 3∕8 yd. (orange) — Fabric H, . yd. (gold) ■ Backing, 3 yds. ■ Batting, 56" × 56" ■ Binding, . yd. cutting chart DIRECTIONS All seams are ¼ ". See "Sewing Basics" for more information. WOF = width of fabric CUT THE FABRIC 1. Use the cutting chart to cut the pieces. Label the pieces. 2.…

MATERIALS Finished quilt 60" × 63" ■ Fabric (I used Pure Elements solids and prints from the Artisan Collection, both from Art Gallery Fabrics.) ■ Solids — 3 yd., (S1), dusty turquoise — 1 yd., (S2), cream — Fat eighth (11" × 18")* of 5 solids (S3–S7) gold, peach, cream, tan, red, blue, and sage — 3. yds., (S8), teal ■ Prints — Fat quarter (18" × 22") of 17 prints (P1–P17) — . yd. of 2 prints (P18–19) — 1. " yd. of 1 print (P20) ■ Backing, 4 yds. ■ Batting, 68" × 70" ■ Binding 5∕8 yd. *Or use 1" strips up to 13" cutting chart DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric Press after each step.…

MATERIALS Finished quilt 48½ " × 52½ " ■ Fabric for the quilt top — Prints, 28 fat eighths (11" × 18") — Background, low-volume cream print, 2. yds. ■ Paper piecing pattern, downloadable at quiltingdaily.com (or draw your own) ■ Copier paper or quilter’s foundation paper, 56 sheets ■ Backing, 57" × 65" ■ Batting, 57" × 65" ■ Binding, . yd. ■ Sheet of card stock ■ Transparent ruler with a marked . " line OPTIONAL ■ Add-A-Quarter™ On paper There are a lot of different paperpiecing papers on the market. I tend to be a copier paper kind of gal—it’s cheap, and I always have plenty of it. Other quilters prefer the paper made specifically for paper piecing, which provides a non-slip surface for stabilized stitching and…

MATERIALS Finished size 16" × 16" Makes 1 pillow (choose a warm or cool colorway) ■ Fabric for pillow (We used American Made Brand Cotton Solids from Clothworks.) — Pinwheels, 5 colors, 10" × 10" each — Borders, 1∕8 yd. — Background and envelope back, . yd. ■ Muslin backing, 18" × 18" ■ Pillow form, 16" × 16" cutting chart DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric Press all seams open. ASSEMBLE THE PILLOW TOP 1. Use the cutting chart to cut the pieces. Label the pieces. 2. Arrange colors and background pieces on a design wall as shown in the Pillow Assembly Diagram. 3. Create the columns by first sewing the smaller segments together. Then begin assembling the…

MATERIALS Finished block 9" × 9" Finished quilt 45" × 63" ■ Fabric for quilt top ■ 9 colors, . yd. each (I used Kona. Cotton Solids from Robert Kaufman: Capri, Grapemist, Cloud, Ocean, Nightfall, Citrus, Wasabi, Alegria, and Lapis.) ■ Backing, 3 yds. ■ Batting, 53" × 71" ■ Binding, 1. yds. for bias-cut (. yd. for straight grain) ■ Templates Block A: 1, 2, 3, 4, and Block B: 1, 2, 3, 4, 5, provided on insert ■ Template material OPTIONAL ■ 9. " × 9. " square acrylic ruler DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric CUT THE FABRIC 1. Trace the templates on template material. Cut out and label. 2. Make a 9. " × 9.…

MATERIALS Finished quilt 59" × 77" ■ Fabric for quilt top (I used Essential Gradations in Red Rose and Ultra Blue; and Colors for Quilters Solids, both from Benartex Fabrics.) — Red gradation, 1. yds. — Blue gradation, 3. yds. — Beige solid, 2. yds. ■ Backing, 5 yds. ■ Batting, 67" × 84" ■ Binding, . yd. (I used the beige solid.) cutting chart DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric ASSEMBLE THE BLOCKS 1. Use the cutting chart to cut the pieces. Label the pieces. 2. Draw a diagonal line on the wrong side of the 5" beige squares. 3. Arrange 2 columns of 13 blue rectangles going from darkest to lightest. 4. To make the arrow point,…

MATERIALS Finished quilt 74" × 72"  ■ Fabric for the quilt top (I used Kona Cotton by Robert Kaufman Fabrics in Candy Blue and White.) — Blue, 4. yds. — White, 2. yds. (includes binding) ■ Backing, 4. yds. ■ Batting, 78" × 78" DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric MAKE THE BLOCKS 1. Use the cutting chart to cut the pieces. Label the pieces. 2. For the full blocks, sew a 1. " × 4. " white piece to each side of a 4. " × 10. " blue piece. Sew a 1. " × 12. " white piece to the top and bottom of this unit. (figure 1) Make 41 full blocks. cutting chart 3. For the…

MATERIALS Finished size 14" × 60" ■ Fabric for the table runner top — 1∕8 yd., 14 different black and white prints. (Fat quarters (18" × 22") are also suitable.) ■ Templates A & B, provided on insert ■ Template material ■ Batting, 18" × 66" ■ Backing, 1 yd. ■ Binding, 3∕8 yd. DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric PIECE THE TOP 1. From each black-and-white print, cut a 4" × WOF strip. Cut 2 pieces of 21" from each strip. Cut a minimum of 23 strips. 2. Trim 3 pieces to 3" × 14" for solid block C. Set aside until assembly. 3. Sew a pair of 4" × 21" strips together on the long edges. Press…

MATERIALS Finished size 16" × 52½ " ■ Fabric for table runner top — Block centers, 1∕8" yd. — Coordinating print, . " yd. — Background, . yd. ■ Backing fabric, 1 . " yd. ■ Batting, 20" × 57" ■ Binding, 3∕8" yd. DIRECTIONS All seams are ¼ ". See “Sewing Basics” for more information. WOF = width of fabric CUT THE FABRIC 1. For the block centers, cut 12 squares 2. " × 2. ". 2. From the coordinating print, cut 5 strips 1. " × WOF. 3. From the solid background fabric, cut: — 5 squares 75∕8" × 75∕8", cut diagonally twice to yield 20 setting triangles — 4 squares 4. " × 4. " cut diagonally to yield 8 corner triangles — 2 strips: 10" ×…

MATERIALS Finished quilt 36" × 36" ■ Fabric for quilt top (I used Rain Walk by Anna Graham for Cloud9 Fabrics.) — Background, light gray solid, 1 yd. — Section A*: 3 solids or prints, fat eighth (11" × 18") each — Section B*: 5 solids or prints, fat eighth each — Section C: 1 print, fat quarter (18" × 22") — Section D*: 3 solids or prints, fat eighth — Section E: 1 print, fat quarter * Fabrics for the A, B, and D sections could use large scraps or 10" × 10" squares. ■ Backing, 1. yd. ■ Batting, 40" × 40" ■ Binding, . yd. ■ Fabric-safe marker DIRECTIONS All seams are ¼ ". Press seam allowances open. CUT THE FABRIC NOTE: Group the fabrics for each…

A quick reference guide to basic tools, techniques, and terms For the projects in this issue (unless otherwise indicated): ■ When piecing: Use 1⁄4" seam allowances. Stitch with the fabric right sides together. After stitching a seam, press to set the seam; then open the fabrics and press the seam allowance toward the darker fabric. ■ Yardages are based upon 44"-wide fabric. sewing kit The following items are essential for your sewing kit. Make sure you have these tools on hand before starting any of the projects: ■ ACRYLIC RULER A clear flat ruler, with a measuring grid at least 2" wide × 18" long. A rigid acrylic (quilter’s) ruler should be used when working with a rotary cutter. You should have a variety of rulers in different shapes and…

1 DECONSTUCTED WINDMILL QUILT by GOSIA PAWLOWSKA Project photo on page 37 Instructions on page 66 2 CACOPHONY QUILT by TINA LEWIS Project photo on page 39 Instructions on page 70 3 WINTER WHITE TABLE RUNNER by EMILY HERRICK Project photo on page 51 Instructions on page 92 4 CALLIOPE QUILT by SHARON HOLLAND Project photo on page 41 Instructions on page 74 5 MID MOD STARS QUILT by CHRISTINE RAVISH Project photo on page 58 Instructions on page 101 6 BOREAL FOREST QUILT by NELLY VILEIKIS Project photo on page 50 Instructions on page 89 7 MEDALLION PILLOW by GOSIA PAWLOWSKA Project photo on page 61 Instructions on page 108 Pattern Guide GETTING STARTED 1 | When preparing to print the PDF, make sure that you are printing it…